A young woman regrets getting breasts implants in this brain-hurty hour-long sex melodrama from the fetid mind of Japanese "pinku" director Hisayasu Sato. In the first five minutes, she is assaulted by briefcase carrying middle-aged rapist (Shôichirô Sakata) whose breast fetish has turned him psychotic, and whose son (Masahiro Yoshida) later turns up to apologize for his father but then invites her to join them in further rape games. The movie quickly descends into thin allegory, with all three settling into a perverse "family" set-up that also involves a wax dummy and extensive scenes of the characters eating food, often in extreme closeup. Sato's puerile commentary on Japanese family life is not compensated by the violence, which is so poorly shot in dark hues that it is rarely clear what is going on beyond the heavy breathing and screams. Within this misfired attempt that comments dryly on the value of plastic surgery, Shiina Itô as the buxom main character sometimes rises above the squalid material.