The photography is wonderfully good considering the disadvantages and the several thousand feet of negative has been pruned and trimmed by Pathe Freres until there is not an uninteresting foot in the two reels. Without a doubt it is the most expensive negative ever printed from and the American public are indebted to the licensed manufacturers who made it possible for the film to be issued and to the brave and enterprising photographer, Cherry Kearton, who secured the negatives at great bodily risk and inconvenience. This subject is open to all licensed theaters and will prove a big drawing card. Exchanges, in ordering, should specify sets and not films, as the subject consists of two reels. - The Moving Picture World, April 2, 1910