The producers of this item must have taken footage they already had about a day in a donkey's life, edited it into a bad story, and then had Marisol read it.They bookended it with Marisol herself telling a bunch of school kids about it and, if I recall correctly, singing a song or two. Presto, another movie to satisfy Spain's number one star's contract with little of her in it.I saw this on video as I was unable to catch it in 1964 when the cinema I went to pulled it mid-week due to poor attendance.Marisol is not the star here, Bienvenido the donkey is. A rare glimpse into the exploitation of her career that Pepa Flores later claimed.