A two-reeler full of the lively and breezy quality of this studio's usual output. All of it is laughable, if not new, and Mabel Normand is as comical as usual, which means that there is a good deal of real fun in it; she is better far than any other player in it. At the ending episode of the second reel, when the cops get busy and things begin to happen, the picture becomes truly laughable. Of course, it is not elegant, this rough and tumble business. - The Moving Picture World, August 15, 1914